Talking Stone Film

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(wolf howling) (explosion booming) – [Spring] America, is
there one anymore? I’m not sure. World War III has left
mostly wastelands and not a lot of hope for
those of us left to fight for food, water and shelter, not to mention all the
fallout from the nukes. There are cities left that us
survivors try to make it to. The only real shimmer of
hope we have is to make it to the city and try to
construct our lives again. Unfortunately,
there’s no vacancies and the city is under a
harsh dictator’s rule. Everyone is scared of
overpopulation, making it there is
nearly impossible. If the cannibals of the
wastelands don’t get you, the hunters will. Mercenaries for the
dictator show no mercy, not only do they like their job, they’re good at it. It’s a scary world out there. But I’m not scared and
right now I’m thirsty. (foreboding music) – So what’s the plan? – Over there, survivors
could be around. – Let’s just get what we
need and move on, shall we? – Totally. (zombie growling) (guns firing) – Let’s get inside. There’s gonna be
trouble out here. Looks safe. – Yeah right. (gun firing) (eerie ambient music) Luca. Fuck, come on! Luca? – [Luca] Trying to
find some light. (suspenseful rock music) (gun firing) (eerie ambient music) – Hello, ladies. (gun firing) – [Luca] Let’s search the
rest of this place, quick. – Don’t move! Drop your weapons. – [Luca] We just need
water, no more trouble. – Girls, everyone needs water. We’ll give you water, if
you all would be so generous to spare us a moment
of your time. (guys laughing) – Okay, okay you win. Now! (rock music)
(guns firing) ♪ No control ♪ ♪ Danger, danger ♪ ♪ Low, low ♪ – Fuck, there’s too
many of them! ♪ I give what you take ♪ ♪ Your smile is so fake ♪ ♪ You will spread the word ♪ ♪ Now I will burn ♪ ♪ I give and you take ♪ – Wall! ♪ Your smile is so fake ♪ – I want them alive. It’s been a wild, long race. I don’t want them dead. I want them punished. Ooh, Sneaky. – Let’s go. – We can’t go, we’re not
leaving empty handed. – She’s right, who knows
how long it will be until we find supplies again. Any ideas? Do it. (gun firing) ♪ Please ♪ (heavy rock music) ♪ So suck another
dollar out of me ♪ ♪ And it sucks to
have no control ♪ – Fuck! – Do you think they left? – No, I don’t think they left. I don’t know! Close the door for fuck’s sake. ♪ No control ♪ ♪ Danger, danger ♪ ♪ Low, low ♪ ♪ Danger, danger ♪ – Okay, go up stairs,
circle back around, and meet me down stairs. Go, go. ♪ Danger, danger ♪ ♪ Low, low ♪ – I changed my mind. Kill them. (heavy metal music) ♪ Ahhhhh ♪ ♪ I’m for real ♪ ♪ And I’m ♪ ♪ You’re not ♪ ♪ And I’m not me ♪ (guns firing) ♪ Be what you want ♪ ♪ This time you’re not ♪ ♪ The enemy ♪ ♪ What’s done is done ♪ ♪ What’s done is done ♪ ♪ What’s done is done ♪ – Fuck. (gun firing) – Check her out. I think she’s been bit. – Yep.
(gun firing) – Let’s go rejoin the group. (guns firing) ♪ Ahhhh ♪ ♪ I’m for real ♪ ♪ And I’m ♪ ♪ You’re not ♪ ♪ You’re not me ♪ ♪ Ahhh ♪ ♪ Be what you want ♪ ♪ This time you’re not ♪ ♪ The enemy ♪ ♪ What’s done is done ♪ ♪ What’s done is done ♪ ♪ What’s done is done ♪ (guns firing) ♪ We’re gonna take that now ♪ – Water, fuel, where? – What? – I’m not asking again. – Fuck this. – Jesus, okay okay. Fuck! It’s all we have. – It’s all you had. – We’re survivors just like you. Never seen anyone else,
except the scavs out here. We never had to fight before. – Well obviously. – What about– – Don’t care. We gotta go. Scavs are gonna be all
over this place. (eerie ambient music) (gun firing) – You’re right, scavs will be
all over the building soon, but I got a plan. Now would be a good time to run. (fire crackling) Run! (guns firing) (explosion booming) (tires squealing) I never said we were
trying to save the world. We’re not even sure we can
save ourselves. (rock music) ♪ Was it something that I said ♪ ♪ Was it something that
I did, or didn’t do ♪ ♪ You give no reasons,
you told me lies ♪ ♪ You said it’s all right
and you sank your teeth in ♪ ♪ Hell ♪ ♪ Spawn ♪ ♪ Hate ♪ ♪ And I already told you ♪ ♪ There’s nothing here for you ♪ ♪ Turn your back and walk away ♪ ♪ I will not forget ♪ ♪ The pain you put me through ♪ ♪ The pain I never knew ♪ ♪ The pain you put me through ♪ ♪ Never again, never again,
never again ♪ ♪ Controlling every
move I make ♪ ♪ Manipulating me to get
what you want ♪ ♪ I really hope I offended you ♪ ♪ I hope it hurt when I
sank my teeth in ♪ ♪ And I already told you ♪ ♪ There’s nothing here for you ♪ ♪ Turn your back and walk away ♪ ♪ I will not forget the
pain you put me through ♪ ♪ And you already told me ♪ ♪ There’s nothing here for me ♪ ♪ Turn your back and walk away ♪ ♪ I will not forget the
pain you put me through ♪ ♪ Oooooh ♪ ♪ Ooooooh ♪ ♪ Never again ♪ ♪ Never again ♪ ♪ Never again ♪ ♪ Never again, never again,
never again ♪ (suspenseful synth music) – [Man] Largent,
base to Largent. Largent, respond. Largent? Largent? Largent, respond. Largent. Largent. Largent. Largent respond. Largent. Zorn, Zorn report. Zorn and Largent to report
to base immediately. Zorn and Largent to report
to base immediately. Zorn, requesting officers. Zorn and Largent. (gun clip locking) – Confirmed, 15 minutes. You gonna go to work like that? (eerie ambient music) – [Man] They’re here. – Is everyone here? – We’ve been waiting. – [Woman] Sector five today,
guys. Take Thinner and
Greene with you. – We can handle it. We don’t need any help. – Do you have a problem
with us going with you guys? – Yeah, me. That’s why it’s my team. I’ll handle my guys while
we’re out there. You guys are house cats. You wouldn’t like it out there. – Largent. – You giving me an order? – I already did. Sector five, clear it. (dramatic piano music) – We’ve got enough supplies to last a few more
days for sure. – We should keep heading north. – Does it really matter? – Yeah, it matters. We pick a direction and we go. We’re bound to hit
something eventually. Where there’s water,
there’s life. The Great Lakes are north. – Yeah, if they’re still there. – Well that’s a chance
we’ll have to take. (tires squealing) Are you all right? What happened? – Who is she? – I don’t know, she won’t talk. – Probably in shock. Let’s get her up. Wait until she calms down. – [Man] Drop your weapons. – Someone sprung a leak, and they’re close. (tense rock music) (ominous piano music)
(heart beating) – What do you want with us? – I’d eat up if I were you. You’re going to need
your strength. You got 15 minutes. (keys jingling) Let’s go. Keep moving. (eerie ambient music) (suspenseful orchestral music) (grunting) – Let’s pillage. – Totally. (angry mob yelling) – You wanted her right? – I’m sure she’ll do just fine. I’m sure she’ll provide
us with a good show. – What do you want? – Entertainment, and I expect it whether you win,
or lose. – If I win, my girls and
my cars are out of here. – This look like a
democracy to you? I’ll make up the rules
as we go along, okay? – Then you better hope I lose. – With such a pretty face? Why’s that? – Because you’re next. (heavy metal music) (crowd shouting) ♪ Ooooh ♪ (heavy metal music) (grunting) (punches thudding) (crowd booing) (gun thudding) – There’s someone in here. – Look at me. Choose a side. – Yours. – [Luca] Correct. (guns firing) (chains rattling) – We’ve got work to do. What’s your name? – Harris. – How long have you been here? – Don’t know. They feed me, and I fight. It’s been that way
for a long time. How about you guys? – [Vick] We’re
getting our friend and we’re getting out of here. Hopefully you’re gonna
be part of our solution and not part of our problem. – I owe you one. Count me in. (slow clapping) – Sure you don’t wanna
take me up on my deal? (men laughing) Well, looks like I have
a promise to keep then. (rock music)
(grunting) – Whoa, hey, hey, whoa! (yelling)
(grunting) ♪ Speak to me in wild dreams ♪ ♪ This night I heard you
calling my name ♪ ♪ A figment of imagination ♪ ♪ Playing consciously ♪ ♪ I’m plagued by inner souls ♪ ♪ I’m screaming through
sun and cold yeah ♪ ♪ You turn around there’s
no one there ♪ ♪ Voices louder,
laughter shared ♪ ♪ Cry out to me ♪ ♪ Cry out to me, my
hate burns now ♪ ♪ Try not to see ♪ ♪ Try not to see the
pain I hide ♪ ♪ Arms wrapped tightly
around my waist ♪ ♪ Waking up and tasting pain ♪ ♪ Twisted visions on my mirror ♪ ♪ Open my eyes, bring
the fatal tear ♪ ♪ Cry out to me ♪ ♪ Cry out to me ♪ (guns firing) – [Harris] Everybody down
to the ground! (gun firing) – Stay down. – What about our cars? – I don’t know but someone
better have the keys. – You guys have cars? – Yep. Need the keys. And where are the cars parked? – The side of the building, if you can make it. – We’ll take our chances. – [Harris] He’s right,
scavs are everywhere. We’re gonna need more ammo. – We have more ammo. – We’re listening. – Carrie, don’t you even… – We have more weapons here. I can take you there. I think I– – Yeah, I’m sure you have
our best interest at heart, but we’ll take those weapons. – You’re going to
the city right? I can help and I won’t get in your way. – First things first,
take us to the weapons. Vick, where we going? – I’m taking you to your
clothes, come on. They’re over there. – Who’s the guy up there, Vick? – His name’s Harris. Looks like he went
through what we have. – Is he going with us? – He says he can get
us to the city. I think we can trust him. – Well let’s hope so. (ominous orchestral music) – We’ve received contact
from the squad. – Roger that. Contact from the squad, want it. – Where are you? – Yeah, we picked up a
trace on survivors. Where not sure how many. Presumably more than one,
and they got a vehicle. They’re headed north. – How far? – I’d say they’re at least
two sections away, minimum. No way without the
right supplies to make it all the
way to the city. No way. – Okay, you’ve got 24 hours. If you don’t find them, I want you to report to
base at once. We’ll intercept them
when they try to come in. – We’ll handle it. – 24 hours and I want you back. – We’ll eliminate them,
and we’ll be in. – 24 hours, that’s an order. – Sounds like it’s
getting messy. What should we do? – Nothing for now. (knocking on door) – [Winston] Hold on, I’ll
be right there. – Who is that? – It’s Winston. He repairs our weapons. – Is he alone? – Yes. – Last question, no
more bullshit. Why are you helping us? – I’m not. I’m helping myself
get to the city. Staying in the
wastelands is suicide, you all know that. I can stay here with this
group and try to exist, or make it to the city and live. I can’t do it on my own. I need warriors. – [Winston] Who is it? – It’s Carrie. – Is it just you? – Not quite. – What can I interest
you ladies in? – I think we know– – Winston, I’m gonna be
honest with you. We need a lot of guns. – Big guns. – Right then, well, M16s for starters. – You’re in the right direction,
Winston. – [Vick] Hey, what about
more of these. – Hey, that’s old stuff. I haven’t got a chance
to look through it yet, but that’s an old grenade. – [Vick] We’ll take them. – I don’t even know if
they’re functional yet. – Oh don’t worry, we’ll
test them out for you. – Okay, right. – Hey what’s under that tarp? – Oh that? You ladies wouldn’t be
interested in that. It’s something I’m– – Let’s take a looksie here. – [Winston] Hey wait! – Yeah. – Don’t forget to
wear the harness. – So Winston, you got
anything else for us? – Well I think you’ve got
more than enough to fight off scavs. – Who says we’re fighting scavs? We’re going to the city. We’re gonna fight anybody
who gets in our way. – Rock on. – You guys got a plan? – Yeah, leave. – Spring and I are going
to get the cars. We’ll bring them around back. – I’ll go. Let Spring and I go. – You better hope that
she comes back, and with our cars, or I’d just stay out
there if I were you. Got it? (gun cocking) (rock music)
(guns firing) – Cover me! ♪ Fist or start a war ♪ ♪ Face or start a war ♪ ♪ Fist or start a war ♪ ♪ Face or start a war ♪ (grunting) (gun firing) (guns firing) (grunting) ♪ Face your anger ♪ ♪ Growing stronger ♪ ♪ Violent made you ♪ ♪ Taking to rock the
time has come ♪ (engine revving) ♪ Bring it on, let’s
start a war ♪ (engine revving) ♪ Taking the rock the
time has come ♪ ♪ This shit is done ♪ ♪ Bring it on, let’s
start a war ♪ ♪ Fear and pain, lies and rage ♪ ♪ Released and broken,
burning red ♪ ♪ Fear and pain, lies and rage ♪ ♪ Released and broken,
burning red ♪ (grunting) (gun firing) – Out of the way! (explosion booming) ♪ Bring it on, let’s
start a war ♪ (fire crackling) (gun firing) – I’m okay, let’s get
ready to move, but first, promise kept. (gun firing) Hmmm. My sight must be off. – Did you get your cars? – Yeah, about that… (fire crackling) (rock music) ♪ Start a war ♪ ♪ Start a war ♪ (ominous orchestral music) – Gonna be action today, boys. – Good, we ain’t seen nothin’ – Matter of time, boys,
matter of time. – Let’s rest here, get the bags. Circus peanut? – No thanks. What’s her story? – Don’t know, don’t care. You wanna make it? Watch her. – Don’t worry about her. The girl out there, Carrie, she’s the reason we had a
little detour back there. She set a trap that landed us. – Maybe she was doing
what she was told. – Do you always do
what you’re told? We all have the same goal. Get to the city, quit
fighting to survive everyday, and you said you could
get us there. – And I will. – You know, we’ve been wandering
for weeks, maybe months, just to find some kind of clue to get us in the
city’s direction. Nothing. Now you. How do you know? – I was there once, with
my wife and son. We were with a group,
trying to get in, then just blend in with
everybody else. We never made it. Just outside the city we
were spotted by the hunters. Our leader Rollins
was with them. She murdered my family,
they left me for dead, her words still ring in my head. Survival of the fittest. Survival of the fittest. – So, it’s revenge, huh? – It’s not revenge I want, it’s justice. (motorcycle engine revving) (ominous rock music) – Looks like
someone’s been here. I’d say they’re
pretty well armed. – [Man] Hey, over there! – Let’s gear up. Tank, what do you make of this? It ain’t no hand gun. – Holy shit, looks like
some heavy artillery. Looks like it came
from a Vulcan. – Clarke and Tank, go find
a way in the back door. Work your way to the
front entrance. Zombie, stay with the vehicles. Zorn, you go with me. We’re going in the front door. Stay alert, there’s potential
for some serious shit here. Extract what information we
can, like who has these cars, and then kill them. – What was that? I’ll go check it out. You go down to the basement. You check out this floor. (grunting) (gasping) – Let’s give them a few minutes, see if they find anything. (gun firing) Well, that answers that
question, doesn’t it? – [Man] Subtle. – I think that’s far enough. Now slowly put your hands up. You won’t be needing this. – You know, things have been
pretty busy around here lately. I was hoping it’d be those
other mother fuckers but– – Who? – Your girls. Don’t know anything about them, but I wanna know where they are. Tell me and I’ll let you live. You know, something tells me you’d be more beneficial
to me dead than alive. Kill him. (gun cocks) (heavy metal music) (gun firing)
(screaming) (yelling) (grunting) ♪ Suicide man kind dead ♪ ♪ Trade ruled dead is
contact, keep yelling ♪ ♪ League of age on falling sky ♪ ♪ Last one to give up ♪ ♪ Again it’s all right ♪ ♪ You’ll mother fucking
never again ♪ ♪ Bullet to revolver
and move it ♪ ♪ And then suffering
before you die ♪ ♪ So give one more blood
spilled in the fire ♪ ♪ Two can run both
into the flame ♪ ♪ Go to hell and run and drag ♪ ♪ Go cling to life and
wait for the dead ♪ (screaming) (crowd wincing) ♪ Drain your life while
you’re still alive ♪ ♪ Or you can fucking run ♪ ♪ Only the pain while
your family wept ♪ ♪ You deserted me ♪ (gun firing) (gun firing) ♪ You can run, you can run ♪ ♪ But can’t get away
from the pain ♪ (grunting) (screaming) (grunting) (neck snapping) ♪ I die prematurely to
your damnation ♪ ♪ You have the right
inventory of my brain ♪ ♪ You’ll mother fucking
never again ♪ ♪ Vultures, why do I move it ♪ ♪ And then suffocate
before you die ♪ ♪ Soaking blood while I
wipe my eyes ♪ (neck snapping) ♪ Soaking blood from
the face of the flame ♪ ♪ Guilty what a drag ♪ ♪ No eyes left you wait
for the dead ♪ ♪ You like me then
you like death ♪ (grunting) ♪ Suicide, man kind dead ♪ ♪ Trade ruled dead is
contact, keep yelling ♪ ♪ League of age on falling sky ♪ ♪ Last one to give up ♪ (wincing in pain) – Now do you wanna talk? – [Man] Yeah. – Well, I don’t. (gun firing) Now you, I wanna talk to. It’s about fuckin’ time. What’d you guys find? – Dead people. – Interesting. Looks like whoever was here
made a mess of your place. Who were they? – I don’t know. – [Man] Get down. (guns firing) – Who were they? – I don’t know, they went
north I think. – I can’t follow tracks,
asshole. Tell me something I
don’t already know. – [Man] I don’t know them. Fuck, we caught them on
the road, three girls. – Three girls did all
of this to your place? – They took weapons
from downstairs. There’s a man with them now. – Right, three girls and a man, heading north in two cars, because one is toast
in your lot. Please, give me a fuckin’
challenge. (gun firing) Let’s check downstairs. (eerie ambient music) – How long have they
been out there? – Couple hours. I was gonna take care of it, but I didn’t wanna
wake you guys up. – We need to pack and
keep moving. – So what’s the plan here,
chief? We just drive on into the city? – Is that what you wanna try? – We’re listening. – We’re not going
through the city, we’re going under it. – And we’re going back
for our cars? – Once we get to the tunnels,
there’s no turning back. Can you live without your car? – Yeah. – Then do it. (gun firing) (suspenseful orchestral music) – You hear all that
commotion upstairs, old man? You stay shacked up down here? – That’s honorable. – What would you want me to do? – Die with a little dignity, but that’s that. What do you have down
here for us? – Nothing, your girls
wiped me out. (chuckling) – They’re not my girls, yet. – [Man] They missed one. – I’m done playing around here. Who are “my girls”? You know, I’m not enjoying this. Now he, he would enjoy this. Do your worst. – Okay okay. They’re going into the
city, that’s all I know. They didn’t tell me who they
are or where they come from, I just know where they’re going. The city! – The problem is, nobody
makes it to the city. Let’s move. (grenade clicking) You can keep this one. (explosion booming) – Does everyone have
everything packed? (motor revving) (eerie ambient music) (gun firing) (gun firing) – Thanks. – Leave the super hero
stuff to us, man, besides– (gun firing) (screaming in pain) – You missed, boss. (gun firing) – What the fuck was that? (screaming in pain) – Get in the cars now! (guns firing) (explosion booming) (fire crackling) – Stay with her. There they go! Go, go, go! (guns firing) – Where should we go? – Find us all some cover. We’re not gonna outrun
them to the city. We’re gonna have to fight. – Over there! – [Vick] Perfect. Where’d our tail go? – He’s turned back. – He’s going after Spring. He’s picking us off
one at a time. – Spring can handle herself. We’re going into the yard. (guns firing) (explosion booming) (marching orchestral music) – [Man] Where are they? – In the yard down there, waiting for us. This is where this hunt ends. What do you think, Zorn? (eerie ambient music) – Well, this just got a little
more difficult now hasn’t it? – [Man] They could be long gone. – Nah, they’re waiting for us. They got spirit. I’ll meet you at the entrance. What? You guys ain’t riding, bitch. (ominous guitar music) – [Man] We should be
taking action here. I think a change in the
team is in order. – Who did you have in mind? You? – I think– – I think you can tell
Largent when he gets here. – If he gets here. – If he doesn’t, then
I guess you’re right, and he isn’t the best, is he? (marching orchestral music) – We should split up, each flank a direction. Keep all our bases, no
one gets in this area. – How far are the tunnels? – Not far, we can get there
on foot if we have to. We don’t want them to
know our plan. We have to try to get in unseen. – Ain’t gonna matter now
because we’re killing them all. – [Vick] Spread out. – Dying little fuckers,
aren’t they? I kind of like that. – Game over, bitch. (gun firing) – Die knowing the bitch has won. (gun firing) (guns firing) (winces in pain) (gun firing) (gun firing) – I think he saw Harris. He’s going for him. – Yeah, I saw him near the bus. I’m gonna go get the
weapon sack. – All right. (grunting) (gun firing) (screaming in pain) (gun firing) (grunting) (yelling in pain) (gun firing) (gun clicking) (grunting) (grunting) (grunting) (gun firing) – [Luca] Jump! – Either way, this is gonna
end very badly for you. How do you want it? (gun cocking) (gun firing) (guns firing) – Let’s double back to
the vehicles. They’re on foot from
here on out. – What makes you say that? – Fuck. Fuck! Fuck. Fuck! Fuck. – God dammit, Luca. We gotta keep moving. There’s still more out there. Get us there. – There are tunnels near the
old cemetery near the city. We’re close. (ominous orchestral music) – Harris, keep going. We’re right behind. – Yeah? – [Rollins] You guys
are late getting back. What’s your status? – We’ve run into
some resistance. Nothing we can’t handle. – [Rollins] Resistance? – Survivors trying to
make their way in. We’ll track em down and
take care of it. – [Rollins] Get back into
city limits immediately. We’ll intercept them when
they try to get closer. – [Largent] They’re on foot. We gotta take care of this now. – [Rollins] Get back to
the city now. That’s an order. – Roger. We’re on our way. – What are the order? – There are no more order,
we’ll do it our way. We’ve got bugs to squash. – Hey Luca, what’s the
first thing you wanna do when you get to the city? (exasperated sighing) – I’ll tell you when
we get there. – Anyone else? Hey Harris, how about you? – I hadn’t really
thought about it. – Well I would like
to take a bath, a bubble bath. – You are all nerds. How about getting laid, losers, especially mister I have enough
testosterone to fuel Texas. – There is no more Texas. – [Vick] Whatever. – [Harris] We’re getting close, but we have to get back
to the rocks. We’ll be harder to
track down there. – [Vick] I can’t walk on those. – There’s no other way,
let’s go. Chances are we’ll run
into scavengers in there, so stay alert. – [Carrie] Right. Whoa! – And no guns. Those guys are still
on our trails. They’ll hear gunfire
a mile away. The tunnel’s up there. Make sure to stay on the rocks. – [Vick] Ow! (ominous orchestral music) – Looks like they went
down to the ravine. Go down there, track
em, and take care of it. I’ll circle up ahead. – Got it. – Have a seat, we gotta
look at your leg. – Harris, I’ve lost a
lot of blood. I don’t know if I
can keep going. – You don’t have a choice. Let’s go. (eerie ambient music) Got a couple miles
to go I think. Are you okay? – [Vick] Yeah, I’ll make it. (eerie ambient music) (gun cocking) – No! (gun firing) Dammit, no gunfire! – I didn’t have any choices. What did you want me to do? – No guns! I’m sure they heard that. – All right, it’s over. Let’s go, quickly! (glass shattering) – Can we fire now? (guns firing) (explosion booming) (suspenseful piano music) – This is it, we’re here. When we get up there,
we split up. Keep it quiet, get your weapons before
getting out in public space. If we never meet again,
good luck. – Where are you going? – I’m gonna take down
the dictator. – Alone? – My family didn’t
die for nothing. – Someone’s down here with us. – Leave it, go! – They’ve seen our faces. We’ll be running forever. – You’ll follow me,
you’re almost there. Go, hurry! (pipes squeaking) – Hey buddy, can you
check this out? (punch thudding) (gun clicking) (suspenseful orchestral music) (grunting) (gun firing) (gun scraping) – Now what? – Whatever we want. (suspenseful orchestral music) (grunting) – We’re requested
upstairs by Rollins. (elevator dinging) (calming elevator music) – What’s Rollins want now? – I don’t know. – Precaution, apparently
a new group of survivors have pushed their way in. Nothing we haven’t
dealt with before. – Well I know I’m
ready for action. Let’s kill these bitches. You ready? (punches thudding)
(screaming in pain) (elevator dinging) – [Rollins] That was
fast, what’d you find out? – That your reign is over, and it has been ever since
you murdered my family. You’ve been on borrowed
time ever since. – I’ve killed a lot of families,
a lot, and you know what? I’d do it all again. How big do you think
this city is? Big enough to house and feed every single survivor
that’s rushing to get here? Big enough to handle disease,
viruses? I’ve selected this city, and the strongest
survivors are here now, to grow, to build, to advance, to create another
America under me. – Rollins wants to a team
upstairs immediately. – Your family was a
victim of circumstance, a casualty of war, but you, you made it. You’re here now. Lower the gun, turn
around, and walk away free. – What you offer isn’t freedom. – But it’s the next best thing,
isn’t it? I mean really, you don’t
wanna go back out there. Do you? I didn’t think so. – I offered you opportunity
and you spit in my face. Unfortunately, I don’t
believe in second chances. End this man. (gun firing) (guns firing) – Looks like I just
did you a favor. Her time was up. It’s my time now. I guess if you’re gonna preach
survival of the fittest, you should make sure
you’re the fittest, right? Look, what happened to
your family’s in the past. Nobody can change that now. I could use someone
like you around. Maybe it’s time to move on. – And I will move on, after I kill you. (guns firing) (tense orchestral music) (gun firing) No! (grunting) (screaming in pain) (electricity buzzing) (alarm blaring) (grunting) – Enough, this is a weird
place we’re at. (screaming in pain) You and I, the past, the present, (screaming in pain) collide for the future
of a new world at stake. – You have no future. – And that’s where you’re wrong. I am the future. (gun firing) (door slamming loudly) (metal gate rattling) (eerie ambient music) (gun firing) – Harris, are you okay? – Yeah. You guys must have got
bored pretty quick. – We owed you one. Now we’re even. – Thanks. What would you do now? – Survive, grow. I want it to be important
that we lived. – You all are important,
and the city? They’ll look for new
leaders now. I wander who will take
them into the future? (“Consequences” by Worwyk) ♪ As time ♪ ♪ As time moves on and on ♪ ♪ Moves on and on ♪ ♪ Lost hope ♪ ♪ It’s too far gone ♪ ♪ All torn to pieces ♪ ♪ We come so far ♪ ♪ What have we done ♪ ♪ In the name of progress ♪ ♪ The wake of madness
come undone ♪ ♪ When will we learn
from our past ♪ ♪ Each day ♪ ♪ Each day that passes on ♪ ♪ That passes on ♪ ♪ We’ll take ♪ ♪ Until no more ♪ ♪ Until no more ♪ ♪ We take from the land ♪ ♪ But now this time it’s
far too late ♪ ♪ Our mothers bleeding ♪ ♪ While moral
questions we debate ♪ ♪ When ♪ ♪ When did we go, out
of control ♪ ♪ All in the name of a dollar ♪ ♪ Where ♪ ♪ Where will we go,
when we have no ♪ ♪ No place to eat or
to sleep in ♪ ♪ When the land is bled dry
and thousands will die ♪ ♪ We will dig deeper
and deeper ♪ ♪ Until nothing is left
will we look back ♪ ♪ End of our days we
will ponder ♪ ♪ Heed ♪ ♪ Heed the warning signs ♪ ♪ The warning signs ♪ ♪ Recede ♪ ♪ Approaching tides ♪ ♪ Approaching tides ♪ ♪ And as we set sail ♪ ♪ But time is running
out for us ♪ ♪ The calm before the storm ♪ ♪ When nature sheds her
final wrath ♪ ♪ When ♪ ♪ When did we go, out
of control ♪ ♪ All in the name of a dollar ♪ ♪ Where ♪ ♪ Where will we go,
when we have no ♪ ♪ No place to eat or
to sleep in ♪ ♪ When the land is bled dry
and thousands will die ♪ ♪ We will dig deeper
and deeper ♪ ♪ Until nothing is left
will we look back ♪ ♪ End of our days we
will ponder ♪ ♪ In time ♪ ♪ In time will we reflect ♪ ♪ Will we reflect ♪ ♪ Mistakes ♪ ♪ In retrospect ♪ ♪ In retrospect ♪ ♪ And when all is
said and done ♪ ♪ What have we learned
from our mistakes ♪ ♪ History is irony as we
destroy it all again ♪ ♪ When ♪ ♪ When did we go, out
of control ♪ ♪ All in the name of a dollar ♪ ♪ Where ♪ ♪ Where will we go,
when we have no ♪ ♪ No place to eat or
to sleep in ♪ ♪ When the land is bled dry
and thousands will die ♪ ♪ We will dig deeper
and deeper ♪ ♪ Until nothing is left
will we look back ♪ ♪ End of our days we
will ponder ♪ ♪ Consequences ♪ ♪ We will look back ♪ ♪ Consequences ♪ ♪ We will look back ♪ ♪ Where will we go ♪ ♪ Where will we go ♪ ♪ Consequences ♪ ♪ Where will we go ♪ (“Path of blood” by Darkling) ♪ Ahhhh ♪ ♪ Ohhh ♪ ♪ Ohhh ♪ ♪ My best friend bleeds ♪ ♪ In front of me ♪ ♪ Oh my God, you have
forsaken me ♪ ♪ Forsaken me ♪ ♪ All the lives we’ve
lost were they in vein ♪ ♪ Oh my God, you have
forsaken me ♪ ♪ Forsaken me ♪ ♪ But what’s done is done ♪ ♪ And does it matter to you ♪ ♪ When the wells run dry ♪ ♪ Will we live to see the ♪ ♪ Upon front lines,
they crucify me ♪ (eerie ambient music) (dreamy ambient music)

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